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CULTURAL GUIDE
ALMANAC HUXLEY
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Monthly Review
Science
AI VS SCIENCE: An Accelerator of Ideas or a Destroyer of Established Foundations?
Science
ANGER KILLS THE HEART: Doctors Justify Religious Prohibition on “Strong Emotions”
Liberal Arts
MYKOLA PIMONENKO: The Artist Who Painted the Ukrainian Soul
Interview
MARINA AVDEYEVA: On Points of Stability Amid Chaos
Film
MUMMY’S BOYS
Science
DARWIN WAS WRONG ABOUT THE “INNER FISH”: How We Ended Up with a Third Eye Instead of Four
Liberal Arts
ОH, LOVE: The Very Good Bad Marriage of a Stonemason’s Son and the “Red Mare”
Interview
PHILOSOPHER INNA HOLUBOVYCH: Biography as a Form of Being
Science
GENES OF LONGEVITY: The Result of Mixed Marriages and Good Heredity
Science
SAME-SEX LOVE: How Primates “Build a Career” Without War
Liberal Arts
BETWEEN VARVARA AND YULIIA: Whom Did Oleksandr Dovzhenko Love?
Liberal Arts
HERMANN HESSE’S THREE LOVES: the great writer in search of the archetype
Liberal Arts
CHERNIVTSI UNIVERSITY — THE EMBODIMENT OF BEAUTY AND QUALITY
Science
PROFANITY: The Dangerous Side of Foul Language
Liberal Arts
BORIS BURDA: How to quickly extinguish any fire
Film
MAGICAL HYPERREALISM: “Days of Heaven” and “Sunset”
Science
AI DOESN’T WANT TO DIE: why the “red button” no longer works
Science
BREATHING IS THE MIRROR OF THE SOUL: Tell Me How You Breathe, and I’ll Tell You Who You Are!
Liberal Arts
HOW UKRAINIAN SOPRANO SOUNDS IN AFRICA
Interview
WRITER OLEKSANDR BALABKO: In the Footsteps of Ukrainians Around the World
