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CULTURAL GUIDE
ALMANAC HUXLEY
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editor@huxley.media
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chiefeditor@huxley.media
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Monthly Review
Art
ODESSSIADA: “I AM VIENNESE”
Philosophy
ORGANIZED HYPOCRISY: The West, Ukraine, and the Lessons of the Global South
Liberal Arts
BORIS BURDA: How Cybernetics Ceased to Be a Pseudoscience
Liberal Arts
PANTELEIMON KULISH: Panko’s Passions
Art
ODESSSIADA: “Why God Doesn’t Play Dominoes in Moldavanka”
Film
THE CENTURY OF MARILYN
Science
REVELATIONS IN SCIENCE: Iron Men in Iron Armor Behind Iron Fortresses
Interview
MYKOLA TOVKAILO: “When I Felt the Need to Make Music, I Turned to the Bandura”
Philosophy
THE ANATOMY OF SYMBOLIC ALIENATION: What Is This Place Called?
Philosophy
THE NEW WESTERN TOTALITARIANISM: Onto-Anthropo-Bio-Cide
Liberal Arts
CLARA LUCHKO: The “Ukrainian Petunia” Who Lived in Moscow
Science
COULROPHOBIA: Why Are 53% of People Afraid of Clowns?
Film
WHEN THE AUTHOR MATTERS MORE THAN THE TITLE: «Repulsion» and «Deconstructing Harry»
Science
SCHRÖDINGER’S CAT’S BOX IS GROWING: How Large Can the Quantum World Become?
Liberal Arts
OH, LOVE: The Heretic Pharaoh and the Most Beautiful Woman on Earth
Science
PLANET OF THE NEARSIGHTED: The World Faces a Myopia Epidemic
Interview
INNA REKA: “Rehabilitation Is the Art of Restoring a Person’s Ability to Live”
Science
AI AND THE WARS OF THE FUTURE: What Lies Ahead
Liberal Arts
HRYHIR TIUTIUNNYK: “Burn Everything I Wrote”
Film
BULGAKOV ON SCREEN: The House He Built
