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Cinemasophy

TRAITOR AND HERO: “Lacombe Lucien” and “First Man”

TRAITOR AND HERO: “Lacombe Lucien” and “First Man”

THE TEST OF SUPERHUMANITY: “The Quiet Earth” and “1917”

THE TEST OF SUPERHUMANITY: “The Quiet Earth” and “1917”

FOR THE LOVE OF ART: “Day for Night” and “The House That Jack Built”

FOR THE LOVE OF ART: “Day for Night” and “The House That Jack Built”

FUTILE RUNNING ABOUT: the films “La Bonne Année!” and “Marty Supreme”

FUTILE RUNNING ABOUT: the films “La Bonne Année!” and “Marty Supreme”

MASTERPIECES OF MADNESS AND HOPE: the films “Shock Corridor” and “The Holdovers”

MASTERPIECES OF MADNESS AND HOPE: the films “Shock Corridor” and “The Holdovers”

PHILOSOPHY OF ESCAPE: the films “The Hole” and “Being John Malkovich”

PHILOSOPHY OF ESCAPE: the films “The Hole” and “Being John Malkovich”

ONE BATTLE AFTER ANOTHER: Films You Can’t Miss

ONE BATTLE AFTER ANOTHER: Films You Can’t Miss

FEMINIST MASTERPIECES: the films “Cléo from 5 to 7” and “The Piano”

FEMINIST MASTERPIECES: the films “Cléo from 5 to 7” and “The Piano”

MYSTICAL DOUBLES: on the films “The Wrong Man” and “Victoria”

MYSTICAL DOUBLES: on the films “The Wrong Man” and “Victoria”

ON CIVILIZED BARBARIANS: “In a Lonely Place” and “Son of Saul”

ON CIVILIZED BARBARIANS: “In a Lonely Place” and “Son of Saul”

THE NATURE OF WEAKNESS: “La Jetée” and “Manchester by the Sea”

THE NATURE OF WEAKNESS: “La Jetée” and “Manchester by the Sea”

CINEMASOPHY: A Dialogue of Eras — May Films

CINEMASOPHY: A Dialogue of Eras — May Films